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JP1000
17 May 2013 @ 07:54 pm
12-angry-men-2

In anticipation of my upcoming jury duty assignment in Newark, New Jersey, I plan on the proceedings to go something like this..

Juror One: “Listen, Mr. Power, the other eleven jurors all agree that this kid, Julio, is GUILTY! Guilty of MURDER! Why are you insisting on being the lone holdout?!”

Me: “I just want to review the evidence again.”

Juror Two: “We’ve seen the evidence 30 fucking times!”

Juror One: “And what piece of evidence do you need to see again? The video of this kid SHOOTING the night watchman? It’s indisputable!”

Juror Eight: “It’s even in HD!”

Juror Six: “And in the video he clearly says, ‘I’m Julio Rodriguez! And I just shot you, mister night watchman!

Juror One: “On top of which, the kid has CONFESSED TO THE CRIME! He has admitted that his plan that night was to quote ‘ find and kill a night watchman ’ unquote”

Me: “I don’t know… I guess I just don’t see it that way.”

Juror One: “Don’t see it WHAT way?! For Chrissakes! Is this guy a joke?!”

Juror Three: “Look, you son of a bitch, my daughter is getting married tomorrow and I plan on BEING THERE!”

Me: “Well, you can forget about that. We still have a long, long way to go yet.”

Juror Three: “I’m going to fucking KILL YOU!”

Me: “Hmmm. I think I’m beginning to understand why you want to return such a hasty verdict... By the way, Juror Three, where were you on the night of November 3rd?”

All Jurors: “AHHHHHHHH!!!!!”

Me: “OK, I’d like to ask the bailiff if we can see the gun that was found at the crime scene.”

Juror One: “You mean the gun that has the name ‘Julio Rodriguez’ engraved in gold on it?!”

Me: “Yes. I believe that’s the one.”

 
 
JP1000
15 May 2013 @ 11:54 pm
 
 
JP1000
08 May 2013 @ 11:51 pm
Sylvia2a

My cell phone rings.

I’m outside.

It’s noisy and hard to hear.

“Hello?”

It’s the veterinarian. She has some bad news.

She can’t be sure, but Sylvia may have a kidney infection.

“We’ll have to run more tests.”

It’s also likely Sylvia has a hyperthyroid condition.

The vet then says, “It’s common in older cats….”

I don’t hear anything after that for a few seconds….

What do you mean?

Sylvia isn’t ‘old’

And she isn’t ‘older’

She’s my “silly girl”

“Baby Katzenblach”

Older cats don’t play with toys!

I still come home and find cat toys in the middle of the living room and smile because I know how happy my Sylvia is.…

The vet runs down a list of options and asks me what I want to do.

I said, “Whatever you recommend. Whatever she needs.”

She explains what tests she’s going to run.

I say, “Fine.”

She says, “I’ll put you through to the receptionist to go over the billing”.

I’m thinking, “I don’t give a fuck about the billing.”

Just do it. I’ll haggle over money if it involves me, not my cats.

… I wait on hold

… I remember fall 1997

I had just adopted Sylvia and her brother Mickey.

They were only a few weeks old.

I could hold them both in one hand they were so tiny…

It’s amazing to think back on what a terror Sylvia was.

She was always getting into trouble.

She destroyed all my house plants.

She would drag things out from under the kitchen sink I didn’t even know existed; a pair of glasses from a previous tenant; a bed sheet ten times her size; an empty can of peanuts.

Anything she could get her little paws on she would move from one room to another.

For the first couple of weeks, every time I would come home the living room looked like a disaster area.

She would pull down the drapery

Two large panels, a window sheer, valance, ornate tie strings, a hanging rod.

They spanned the entire length of the sliding glass doors.

She’d turn the whole mess into a kitten playground

... One day it finally took its toll on me.

After cleaning up the mess and putting everything back in place for the umpteenth time, I left the room and immediately heard the “chick-chick-chick” sound of cat claws coming from the living room.

I returned to the room and there she was, little Sylvia, digging her claws into the drapes!

“SYLVIA!!”

I grabbed a small couch pillow to smack her with – she was so tiny I didn’t want to hurt her.

She shot out of the room like a bullet to hide in the bedroom.

“OK”, I thought. “She’s learned her lesson”

I went to sit down.

About 2 minutes passed when out of the corner of my eye I could see her walking towards me.

I didn’t turn to look at her… but I knew she had stopped next to my chair, sat down, and was staring up at me.

I slowly turned to look at her – this tiny 12 week old kitten.

The look on her face said it all.

It said, “You are not going to be mad at me! We’re going to settle this right now! ”

I looked down at her and realized what an incredibly smart cat she was.

She wanted to put this issue behind us and she wanted to do it NOW!

To understand at such an impossibly young age the importance of resolving issues and moving on as quickly as possible spoke volumes about the intelligence of my Sylvia …..

Now it's 15 years later - earlier this week..

We’re in the vet’s office..

Sylvia is clinging to my hand inside her carrying case and shaking.

She looks out through holes in the case and sees dogs…

She sees people..

Loud people..

Loud dogs..

Strange noises coming from all directions..

Strange smells …

She looks up at me with those adorable, emerald eyes just like she did when she was a kitten..

I tell her, “Everything is going to be alright, Sylvia”

“I love you, Sylvia… I love you very much”

…….

And now …. I wait for the results of the tests….

I hope for the best and cherish every second I can spend with her…

“We had a deal, Sylvia.”

“I said I would take you in and give you a home with all the love and happiness possible…”

“But you're the baby. I leave first.”

Sylvia & Me (yesterday-&-today)

 
 
JP1000

Although I listen to a wide array of songs, I rarely hear one where I immediately think, "Damn, I wish I'd written that!" 'Murder In The Moonlight (It's Love In The First Degree)' is one of those songs.

It appears to have only been recorded once, in 1935, by a singer named Red McKenzie (a somewhat popular crooner of the early 1930's in league with Bing Crosby and Russ Columbo) and then the song seems to have disappeared through the hands of time.

With lyrics by Sam M Lewis ('Dinah', 'Rockabye Your Baby With a Dixie Melody', 'How Ya Gonna Keep 'Em Down on the Farm?', 'I’m Sitting on Top of the World') and music by Pete Wendling ('Swingin' In A Hammock', 'I'm Sure Of Everything But You', 'Whose Heart Are You Breaking Tonight?'), the double entendre of the singer being "slain" by love has such a rich atmosphere & infectious vibe it really is surprising that no one else thought this was worth recording.

I'm posting this song so that [1] others may hear it & love it as much as I do and [2] to remind myself to cover it in the near future (sort of an online post-it note).

Hope you enjoy the song with video clips from Scarface (1932)


 
 
JP1000
28 October 2012 @ 09:53 pm
Grinch-Sandy
 
 
JP1000
24 October 2012 @ 11:26 pm
I seemed to have struck a nerve at The Guardian (UK) today.  Good.
My country is committing horrific crimes. Americans need to speak up.

DroneComment

 
 
JP1000
18 October 2012 @ 12:41 am


Sam Coslow may not be one of the most widely known songwriters of the early 20th century, but considering the depth & breadth of his body of work, he should be. Some of his more popular songs include “Sing, You Sinners”, “Just One More Chance”, “My Old Flame”, “Cocktails For Two”, "Learn To Croon", "Troubled Waters" and Dean Martin’s signature song, “Everybody Loves Somebody”.

Unlike most lyricists, his words were often poetic enough to stand on their own. Not only did he avoid cliché's, but his words were uniquely contemplative. Consider his suicidal lyrics to “Black Moonlight” ©1933

                       Lost in the shuffle I've drifted and strayed
                      Bruised by the city bewildered betrayed
                      With a heart heavy laden with faltering strides
                      I have come to the bridge to the line that divides

                      What am I doing up here in a daze
                      As I gaze at the cold river bed?
                      Why do I ask myself, “Shall I go back?”
                      When I seem to be going ahead?

                      To black moonlight
                      Where everything reflects your color
                      Darkness that is endless
                      Nights that leave me friendless, blue

While he was primarily a lyricist, he did occasionally write both words & music as with “In The Middle of a Kiss”©1935. Recently, I was surprised to discover that this song (my personal favorite by Coslow) was written by him in a matter of minutes on a bet!

---------------------------------------------------------------------------------------------------

Below is the story of how Sam Coslow wrote "In The Middle of a Kiss", in his own words, from his 1977 autobiography Cocktails For Two: The Many Lives Of Giant Songwriter Sam Coslow:

"In the Middle of a Kiss," which tied for first place on the Hit Parade, was written in response to a challenge. While attending a Hollywood party one night, Fuzzy Knight, a comedian who appeared in many Paramount Westerns, asked me how long it took me to write a complete song. I replied that there could be no pat answer. It could take anywhere from an hour to a month.

"One hour?" Fuzzy echoed, incredulously. "Do you mean to say you actually wrote a whole song in an hour?

"Very rarely — but it has happened."

Fuzzy was skeptical. Nobody ever wrote a song in an hour, he scoffed. A small a group that had gathered around us agreed with him. Johnny Weissmuller was in the group, but I cannot recall who the others were. They challenged me to sit down at the piano and write a song in an hour.

It was a dumb stunt for me to attempt, but I was goaded into it. It was the only time in my life I ever wrote a song in full view of an audience. And it didn't take an hour. I actually wrote the words and music of "In the Middle of a Kiss" in exactly thirty-five minutes! As I sat down at the piano, our group observed a couple dancing to a record player on the terrace outside. They were kissing like mad as the record ended. Fuzzy and I both thought of the title at the same time. "In the Middle of a Kiss" was born.  Once I got the title and the opening musical phrase, the rest was easy. It just seemed to flow, one line leading to the next, like rolling off a log — as if some unseen force were dictating in my ear. I still can't explain how it happened, but it did. I never changed a line or a note of the song afterward.

A few weeks later the studio sent me the script of a new musical called College Scandals. There I found a good spot for the song. It was sung in the picture by Johnny Downs and Arline Judge (two names that crop up when Hollywood trivia addicts gather to flaunt their expertise). Perhaps partly because of the way it came to be written, it has always been one of my favorite compositions.

I surprised Fuzzy Knight by sending him a check for 20 percent of my royalties — a substantial amount to him — as a Christmas gift that year. After all, the song never would have been written if he hadn't challenged me.

Sam Coslow
Cocktails For Two: The Many Lives Of Giant Songwriter Sam Coslow
Copyright (c) 1977 



 
 
JP1000
Soon the fall will be here...




THE STRAWBERRY BLONDE (1941)

Amy Lind
: This time of night things seem still and quiet, don't they? .. Soon the fall will be here. Trees will get bare. And then winter... I don't like the winter.

Biff Grimes: No?

Amy Lind: No. I get lonesome when winter comes.

Biff Grimes: You get lonesome?

Amy Lind: Yes.

Biff Grimes: I know how you feel. I get lonesome, too.

Amy Lind: Oh, do you, Biff?

Biff Grimes: Yeah.. a little... How is it you haven't got a date tonight?

Amy Lind: Free thinkers have a lot of time on their hands.


 
 
 
JP1000
07 September 2012 @ 07:11 pm


When I was a child, probably 4 or 5, I remember one day standing on the floorboard of the family car on the front passenger side. My father behind the wheel. We were driving somewhere. Just the two of us. I recall at that age I was small enough to stand with my hands on the dashboard and look straight up through the windshield at the sky. Needless to say, this was before the idea of "child safety seats" had been implemented.

I recall the sky that day was brilliantly blue with bright billowing clouds.

While looking up I asked my father, "How long did it take them to paint the sky blue?"

I wasn't asking facetiously. I really wanted to know.

Without missing a beat my father said, "I don't know. They did it before I was born."

To this day, when the weather is clear and the sky is blue, much like it is today in the waning days of summer, I'll look up to the sky and recall that conversation.

My father would have turned 87 today.

Well, my father never would have turned 87... It's like saying Abraham Lincoln would be 203 today.. He wasn't going to turn 87 anymore than I could ever do that. It's just something people say to remember a deceased loved one on their birthday.

I asked him once when we were out driving (it may have been the same day) what he wanted to be when he was my age. He told me he had wanted to be a cowboy. Knowing how little sense that makes today, considering where his life took him, he may have been just kidding me.

My father was a lifelong northeasterner, ex-military (fought at the Battle of Okinawa), and was employed by the US government (first in D.C., then in Philadelphia).. Then again, being a child who grew up in immensely difficult times during the late 1920's and early 1930's, with both parents having left him by the age of five, and who watched western movies at the neighborhood bijou, he may have seen being a cowboy as more than mere escapism.

When I think back on driving to the store with my father, I recall the radio was always on in the background. It was usually tuned in to either news or music. In later years, he would often listen to talk radio - primarily Rush Limbaugh. Not because he liked Rush Limbaugh. Quite the opposite. He enjoyed listening and laughing at Rush for being what he called "a horse's ass". But to this day, the one song played on the radio that brings back memories of riding in the car with my father as a very young boy was a popular recording at the time called, "Ruby, Don't Take Your Love To Town" by Kenny Rogers and the First Edition.

From the opening understated, drum beat (boom-chicka-boom-chicka-boom-chicka-boom) to Kenny's opening line sung in a low, gravelly, mournful voice, "You've painted up your lips and rolled & curled your tinted hair", to the closing line where Kenny's character fantasizes about murdering Ruby, "For God sakes turn around", that song could be the blueprint for half the songs I've written. It has all my favorite elements: unrequited love, unspeakable betrayal, a complicated heart, and an impending tragedy with a gun just waiting to go off.

As I drive along the highway today, listening to this timeless classic, I think about my father who is long since gone (over 13 years now), and a time in my life when I believed that anything was possible.

The sky had no limits.

Maybe it still is limitless.

How can you be a writer and think otherwise?

Happy birthday, Dad.